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Lukodi This visual artwork is created by poster artist Alit Ambara depicting the struggles of former child soldiers in Lukodi, Uganda.
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Tjidurian 19 Tjidurian19 is a documentary film on the experience of LEKRA artists who once lived, worked, and produced at Jalan Tjidurian 19, Cikini, Central Jakarta.
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What gets in the way or threatens transformative work/ideals? This document is a reflection written by Kamari Clarke after her participation in Colombia Exchange 2020 as ways to think through, with and about transformative memory.
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Exhibition and Exchange The image depicts Mike Otim, Justice and Reconciliation Project, Uganda, standing in between the posters created by Indonesian poster artist Alit Ambara in an exhibition of his poster arts held in Univercidad Nacional de Colombia.
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Colombia Exchange Transformative Memory 2020 This clip summarizes the events, discussions and exchange during the Colombia Exchange 2020.
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Remembering and Recreating Historical Events: Atiak Massacre Exchange participant Irene Oyik, Atiak Truth and Reconciliation Committee and a trained counselor and theatre facilitator, holds one of the toy guns used in community theatres to recreate historical events and to teach the next generation about the war.
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The Monument of Burcoro Massacre The image depicts the monument in Burcoro built to memorialize Burcoro massacre of 1991.
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Theoretical Expression of the State of Harmony in Acholi Society The image depicts the state of harmony in Acholi society
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Stolen Dreams This visual artwork created by poster artist Alit Ambara depicts the violence suffered by children who were forced to become child soldiers by the Lord's Resistance Army
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Surrounded by Cedar Song Written and composed by Chief Wiliam Wasden. Commissioned by Sabrina Williams and Peter Morin for the children and youth in the Ministry of Child and Family Development (MCFD) ‘s care as a way for them to express their belonging.
This song was performed by Peter Morin in Burcoro, Uganda, during the first International Exchange of the Transformative Memory Network in 2019. Poet and professor Juliane Okot Bitek reflects on memory practices that transcend: “I was part of the group that visited Burcoro, where the community shared stories of two massacres that took place on their land. During the visit, Peter Morin offered to sing two songs. As he did not have his drums with him, he asked that we clap along with him, and he provided the rhythm for us to follow. After he sang, a man stood up, evidently moved by Peter’s song, and asked if people remembered that Acholi used to have a similar kind of song. He then sang a song from memory, clapping along, as Peter had just done.